Save my name, email, and website in this browser for the next time I comment. Usage As the font has a eye-catchy typeface, it is good for almost every section you need. Designing Work: Bell MT font is compatible with every type of designing work. Headline: For the Headlines and Text, Interstate font is very good to use. You can utilize its couple of formats according to requirements. Official work or Documentation: The font has the look to use in the official work and documentation.
Logos : You can design your logos with it. Websites: I have seen various websites use this font. Due to its clean and clean texture, you may easily use this outstanding font for the ambitious heading, ebook covers, brand designs, cloth printing, official cards, precise emblems, and so on. Bell MT is a completely free font that you can use in your graphic designs. There is no need for any license, signup, or regurgitation to use this font for your personal use.
However, if you would like to use it for commercial purposes then you must have to buy it or contact the author for permissions. Here you can download the font that comes in the zip format but later on, you can extract it by using Winrar or any other software and use it in your projects.
You can use the Bell MT website on your website and can make your website design more beautiful. The Bell MT font is available to download free for personal use but if you want to use it for commercial purposes then you might need permission from the owner. You can check out our Font Installation guide for windows or a separate guide on the installation of Fonts in Mac.
Bell is the name given to a serif typeface designed and cut in by the punchcutterRichard Austin for the British Letter Foundry, operated by publisher John Bell, and revived several times since. Download Bell MT Free font. Download free fonts for Windows, Linux and Mac. Download Bell Gothic Bold font.
The Bell typeface has a precise appearance that features stylish contrasts between thick and thin strokes and ball terminals on many letters; it was influenced by the radical Didone styles of type becoming popular on the continent, in particular the work of the Didot family. However, it is less severe in design, somewhat similar to the earlier Baskerville and slightly later Bulmer typefaces.
After a short initial period of popularity, the face fell into disuse in Britain and Austin's later typefaces are quite different in style, although copies in the United States became popular around the early twentieth century with artisan printers. Its history was studied by the historian Stanley Morison in the late s and early s, whose employer, the Monotype Corporation, created a revival, particularly popular for printing on high-quality paper.
Morison praised Austin for his 'exceptional technical gift' and described his Bell typeface as 'surpassing all previous English and continental type-cutting in precision [and maintaining] independence equally against Bodoni and Baskerville'. Besides the digitisation of the Bell face by Monotype, an alternative professional adaptation of the Austin face in optical sizes by Paul Barnes and others under the name of 'Austin' is available sold by Commercial Type. The innovative book and newspaper publisher John Bell, impressed by the sophistication and contrast found in contemporary French typefaces cut for Firmin Didot, commissioned Austin to produce a new typeface to be sold by his British Letter Foundry.
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