Grean has a clear view of who the audience is for this album, and he understands what they want: vows of eternal love, whispered into the teenage ear. This guideline does not apply to governesses. On the show, the music box is almost exclusively used as a brainwashing tool. I wish I could list off all the numbers and titles for the cues on these tracks because I am a super nerd, but life is too short.
This track mixes three spooky wall to walls. The strings, piano, woodwinds and kettle drums are all strumming away, and then the horns keep butting in and making smart remarks. This is another J. The poem is a perfect example of overwrought high school poetry, where feelings are more important than meter or imagery. The sound of wings!
Out of nowhere they appear, And into infinity they fly! I wonder if those who are sleeping in the ground are disturbed by the throbbing sound of a one-way path to eternity. Enclosed in my room, I speak to the quietness breaking the silence. Enclosed in my room, I speak to the quietness but no one replies.
A single tear falls. A sad remembrance of the night when she was told. Imagine Frid at the recording studio, being handed this on a piece of paper and saying what is this exactly? I must have been about By the way, there used to be such a thing as a used record store. It starts with exciting werewolf attack music, and then segues into dream sequence nightmare music, and it ends with a big dramatic sting. So after a while they just give Frid some Christina Rosetti poems, and he recites it over boring Vicki music.
When I am dead, my dearest, Sing no sad songs for me; Plant thou no roses at my head, Nor shady cypress tree: Be the green grass above me With showers and dewdrops wet; And if thou wilt, remember, And if thou wilt, forget. So they do several things to make the enterprise a bit more upscale.
The suspenseful background music, which has become as familiar to the viewers as some of the most popular songs of today, was composed, conducted and arranged by Robert Cobert, a Juilliard graduate, who has scored more television shows than any other composer.
His music encompasses the widest range of styles and sounds: electronic, rock, weird, dramatic, popular and classical. In the background music of Dark Shadows, Cobert masterfully utilizes varied combinations of from two musicians to a full symphony orchestra in creating the many moods of the action at Collinwood.
This was the other thing that offended Young Danny. I was having a devastating love affair with Quentin Collins in my head at the time, which continues uninterrupted to this day, but in the world before the internet, the only pictures of him that I had access to were the covers of the Paperback Library books, and the pictures on the record album.
And Gloria Stavers was responsible for that terrible Quentin picture. In , it was basically impossible to take a bad picture of David Selby, but Gloria Stavers managed it, and they put it on the front cover of the album because everybody was afraid of her.
Then the Selby pic on the back cover was Quentin during his zombie phase, which was also not as sexy as I would have liked. Well, mostly. Shadows of the night Falling, silently Echo of the past Calling you to me. Haunting memory Veiled in misty glow Phantom melody Playing soft, and low.
In this world that we know now Life is here, then gone But somewhere in the afterglow Love lives on, and on. You are a woman, and you deserve to be loved. It combines two music cues that are basically just flutes and vibes, with all kinds of different rattly percussion sounds skittering by. I like this track so much that I looked up what the cues are called, because I am a huge nerd and that is what I do.
Until the morning of Eternity Her rest shall not begin nor end, but be; And when she wakes, she will not think it long. Christina meant the Rapture, of course, but in this context it sounds like she was writing about vampire brides, which I for one think is amusing.
It closes with a dramatic sting, too. This was another Young Danny favorite. Hooray, pandering at last! Midnight… a hush falls through the melancholy halls of Collinwood. A solemn moon casts dark shadows over the placid stillness of the old mansion. I, Barnabas, lie in deep sleep on my bed of purple velvet. Asleep… but awake to your thoughts, your feelings, your desires. Alone, but cradled by the presence of your mind. I hear your call… I feel your yearning… I know that you want me.
I know that you need me. The oppressing weight of long-lost time lies heavily upon me. The deepening gloom that covers me binds me in my sepulcher. Josette's Theme. A Darkness at Collinwood. Night of the Pentagram. When I Am Dead. Shadows of the Night Quentin's Theme. The Secret Room. I, Barnabas. Back at the Blue Whale. The Old House. Radio Interviews Radio Interview Fantasy Background Music Scary Music. Josette's Theme Robert Cobert. A Darkness at Collinwood Robert Cobert.
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